#inharmonicity 0.0003 inharmonicity 0.0015 # Inharmonicity is updated to each string on the next fret position change. # 0.015 creates a sound like a bell # 0.0015 creates sometimes a sound like grandfather clock, with other timbres # like more metallic-resonant sound electric guitar # Electric guitar tuning 0 E2 tuning 1 A2 tuning 2 D3 tuning 3 G3 tuning 4 H3 tuning 5 e4 # Slot drums tuning 6 E2 tuning 7 A2 tuning 8 D2 tuning 9 G2 tuning 10 H2 tuning 11 e3 # Electric bass tuning 12 E2 tuning 13 A2 tuning 14 d3 tuning 15 g3 volume 0/5 1 /* Guitar */ volume 12/15 0 /* Bass */ volume 6/11 -6 /* Toms */ #volume 12/15 -100 # Guitar reflection_loss 0 0.00020 bend_loss 0 0.006 reflection_loss 1 0.0016 bend_loss 1 0.0042 reflection_loss 2 0.0022 bend_loss 2 0.0021 reflection_loss 3 0.0018 bend_loss 3 0.0021 reflection_loss 4 0.0013 bend_loss 4 0.0021 reflection_loss 5 0.0010 bend_loss 5 0.0021 # Slot drums bend_loss 6/11 0.04 reflection_loss 6/11 0 # Bass reflection_loss 12 0.0010 bend_loss 12 0.0053 reflection_loss 13 0.0004 bend_loss 13 0.0034 reflection_loss 14 0.0004 bend_loss 14 0.0021 reflection_loss 15 0.0004 bend_loss 15 0.0025 # Electric bass guitar, based on spectrum analysis # The "overtones" program spits the spectrum out for you so you can directly # paste it here. You just need to export a sample of the pluck from Audacity in # the ASCII spectrum format. overtone 12/15 0 1 2.67405 overtone 12/15 1 2 2.82909 overtone 12/15 2 3 8.22903 overtone 12/15 3 4 4.04503 overtone 12/15 4 5 5.61031 overtone 12/15 5 6 13.3948 overtone 12/15 6 7 20.7747 overtone 12/15 7 8 23.2971 overtone 12/15 8 9 12.9109 overtone 12/15 9 10 13.3324 overtone 12/15 10 11 18.3916 overtone 12/15 11 12 25.7867 overtone 12/15 12 13 20.3732 overtone 12/15 13 14 23.5354 overtone 12/15 14 15 23.2898 overtone 12/15 15 16 15.4646 overtone 12/15 16 17 12.9758 overtone 12/15 17 18 14.8192 overtone 12/15 18 19 8.33666 overtone 12/15 19 20 15.2064 overtone 12/15 20 21 18.5959 overtone 12/15 21 22 22.8699 overtone 12/15 22 23 23.9163 overtone 12/15 23 24 31.6286 overtone 12/15 24 25 29.9305 overtone 12/15 25 26 33.3434 overtone 12/15 26 27 28.2434 overtone 12/15 27 28 19.2668 overtone 12/15 28 29 21.5446 overtone 12/15 29 30 19.1348 overtone 12/15 30 31 22.8226 overtone 12/15 31 32 26.8108 overtone 12/15 32 33 25.0811 overtone 12/15 33 34 24.8237 overtone 12/15 34 35 22.8754 overtone 12/15 35 36 32.1355 overtone 12/15 36 37 33.4046 overtone 12/15 37 38 35.9072 overtone 12/15 38 39 41.3269 overtone 12/15 39 40 42.1426 overtone 12/15 40 41 44.5661 overtone 12/15 41 42 40.4097 overtone 12/15 42 43 43.1017 overtone 12/15 43 44 39.6919 overtone 12/15 44 45 36.2811 overtone 12/15 45 46 33.291 overtone 12/15 46 47 36.7748 overtone 12/15 47 48 39.3201 overtone 12/15 48 49 38.8721 overtone 12/15 49 50 42.2566 # Electric guitar, again based on spectrum analysis with Audacity and the # "overtones" program again. overtone 0/11 0 1 10 overtone 0/11 1 2 9.58058 overtone 0/11 2 3 25.8598 overtone 0/11 3 4 14.7471 overtone 0/11 4 5 20.6643 overtone 0/11 5 6 2.17059 overtone 0/11 6 7 5.31066 overtone 0/11 7 8 10.6452 overtone 0/11 8 9 0.127021 overtone 0/11 9 10 4.7869 overtone 0/11 10 11 9.53872 overtone 0/11 11 12 1.17319 overtone 0/11 12 13 12.6242 overtone 0/11 13 14 8.38274 overtone 0/11 14 15 3.83168 overtone 0/11 15 16 6.21025 overtone 0/11 16 17 22.2882 overtone 0/11 17 18 3.52875 overtone 0/11 18 19 15.6779 overtone 0/11 19 20 24.1312 overtone 0/11 20 21 16.2874 overtone 0/11 21 22 22.6496 overtone 0/11 22 23 26.5049 overtone 0/11 23 24 17.2578 overtone 0/11 24 25 26.1583 overtone 0/11 25 26 25.3491 overtone 0/11 26 27 28.5587 overtone 0/11 27 28 25.3129 overtone 0/11 28 29 26.4153 overtone 0/11 29 30 22.5413 overtone 0/11 30 31 32.9013 overtone 0/11 31 32 31.1924 overtone 0/11 32 33 25.9785 overtone 0/11 33 34 29.2598 overtone 0/11 34 35 31.9261 overtone 0/11 35 36 26.2466 overtone 0/11 36 37 31.4483 overtone 0/11 37 38 29.5997 overtone 0/11 38 39 30.5088 overtone 0/11 39 40 36.3822 overtone 0/11 40 41 31.7606 overtone 0/11 41 42 34.2072 overtone 0/11 42 43 32.8231 overtone 0/11 43 44 40.6476 overtone 0/11 44 45 36.0194 overtone 0/11 45 46 38.4776 overtone 0/11 46 47 51.2422 overtone 0/11 47 48 43.8347 overtone 0/11 48 49 47.1475 overtone 0/11 49 50 56.6918 # The tempo was measured from the original song with a stopwatch bpm 282.3 # The _ mark at the beginning of the tab line says it's a tab line. # Spaces in the tab line are ignored. You can arrange them to separate the # strings of individual instrumets - from left to right: guitar, slot drums, # bass. This below is just a comment to mark the strings Is not evaluated in any way. The tuning is written at the beginning of the tablature. Here are slots made of spaces. They are just ignored by the program, you can place them as you like to visually delimit whatever you want. Here I delimit the individual instruments. v v /*EADGBe EADGBe EAdg */ _ |||||| |||||| 0||| _ |||||| |||||| |||| You can also place comments here _ 0||||| |||||| |||| _ ||||0| |||||| |||| _ |||||| |||||| |||| _ |||||0 |||||| |||| _ |||||| |||||| |||| _ |||||| |||||| |||| Or here as long as they are not recognized as a keyword at the beginning of the line. /*EADGBe EADGBe EAdg */ _ |||||| |||||| 3||| _ |||||| |||||| |||| _ 3||||| |||||| |||| _ ||||0| |||||| |||| _ |||||| |||||| |||| _ |||||3 |||||| |||| _ |||||| |||||| |||| _ |||||| |||||| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |3|| _ |||||| |||||| |||| _ |3|||| |||||| |||| _ |||||0 |||||| |||| _ |||||| |||||| |||| _ ||||1| |||||| |||| _ |||||| |||||| |||| _ |||||| |||||| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| 5||| _ |||||| |||||| |||| _ |0|||| |||||| |||| _ ||||2| |||||| |||| _ |||||| |||||| |||| _ |||||0 |||||| |||| _ |||||| |||||| |||| _ |||||| |||||| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |5|| _ |||||| |||||| |||| _ ||0||| |||||| |||| _ |||||2 |||||| |||| _ |||||| |||||| |||| _ ||||3| |||||| |||| _ |||||| |||||| |||| _ |||||| |||||| |||| --------------------------------------------------- ^ | This doesn't really mean anything, it's just a visual bar delimiter - like a comment. # A bit faster... # Also measured with a stopwatch. bpm 287.8 /*EADGBe EADGBe EAdg */ _ |||||| 0||||| 0||| _ |||||| ||||0| |||| _ 0||||| |||||0 |||| _ ||||0| ||||0| |||| _ |||||| 0||||| |||| _ |||||0 ||||0| |||| _ |||||| |||||0 |||| _ |||||| ||||0| |||| /*EADGBe EADGBe EAdg*/ _ |||||| 3||||| 3||| _ |||||| ||||0| |||| _ 3||||| |||||3 |||| _ ||||0| ||||0| |||| _ |||||| 3||||| |||| _ |||||3 ||||0| |||| _ |||||| |||||3 |||| _ |||||| ||||0| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |3|||| |3|| _ |||||| ||||1| |||| _ |3|||| |||||0 |||| _ |||||0 ||||1| |||| _ |||||| |3|||| |||| _ ||||1| ||||1| |||| _ |||||| |||||0 |||| _ |||||| ||||1| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |0|||| 5||| _ |||||| ||||2| |||| _ |0|||| |||||0 |||| _ ||||2| ||||2| |||| _ |||||| |0|||| |||| _ |||||0 ||||2| |||| _ |||||| |||||0 |||| _ |||||| ||||2| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||2 |5|| _ |||||| |||||| |||| _ ||0||| |||||2 |||| _ |||||2 |||||| |||| _ |||||| |||||2 |||| _ ||||3| ||||3| |||| _ |||||| |||||2 |||| _ |||||| ||||3| |||| --------------------------------------------------- # Faster... bpm 295.6 # Turn the bass a bit down since it's gonna play more densely volume 12/15 -1.5 /*EADGBe EADGBe EAdg*/ _ |||||| |||||0 |7|| _ |||||| |||||| |||| _ 0||||| |||||0 |||| _ ||||0| |||||| |7|| _ |||||| |||||0 |||| _ |||||0 ||||0| |7|| _ |||||| |||||0 |7|| _ ||||0| |||||| |||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||3 3||| _ |||||| |||||| |||| _ 3||||| |||||3 |||| _ ||||0| |||||| ||5| _ |||||| |||||3 |||| _ |||||3 ||||0| ||4| _ |||||| |||||3 ||3| _ ||||0| |||||| ||0| /*EADGBe EADGBe EAdg*/ _ |||||| |3|||| |3|| _ |||||| |||||| |||| _ |3|||| |3|||| |||| _ |||||0 |||||| |3|| _ |||||| |||||0 |0|| _ ||||1| |3|||| |3|| _ |||||| |||||0 |4|| _ |||||0 |||||| |0|| /*EADGBe EADGBe EAdg*/ _ |||||| |0|||| |||| _ |||||| |||||| |||| _ |0|||| |0|||| ||7| _ ||||2| |||||| ||7| _ |||||| |||||0 ||7| _ |||||0 |0|||| ||5| _ |||||| |||||0 ||6| _ ||||2| |0|||| ||7| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |5|| _ |||||| |||||| |||| _ ||0||| |||||| |5|| _ |||||2 |||||| |||| _ |||||| |||||| |5|| _ ||||3| |||||| |0|| _ |||||| |||||| |5|| _ |||||2 |||||| |6|| --------------------------------------------------- ^ | This doesn't really mean anything, it's just a visual delimiter. # Faster! bpm 301.1 # Turn the bass more down volume 12/15 -3 /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |7|| _ |||||| |||||| |7|| _ 0||||| |||||| |7|| _ ||||0| |||||| |7|| _ |||||| |||||| |7|| _ |||||0 |||||| |7|| _ |||||| |||||| |7|| _ ||||0| |||||| |7|| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| 3||| _ |||||| |||||| 3||| _ 3||||| |||||| 3||| _ ||||0| |||||| 3||| _ |||||| |||||| 3||| _ |||||3 |||||| 3||| _ |||||| |||||| 3||| _ ||||0| |||||| 3||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |3|| _ |||||| |||||| |3|| _ |3|||| |||||| |3|| _ |||||0 |||||| |3|| _ |||||| |||||| |3|| _ ||||1| |||||| |3|| _ |||||| |||||| |3|| _ |||||0 |||||| |3|| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| 5||| _ |||||| |||||| 5||| _ |0|||| |||||| 5||| _ ||||2| |||||| 5||| _ |||||| |||||| 5||| _ |||||0 |||||| 5||| _ |||||| |||||| 5||| _ ||||2| |||||| 5||| /*EADGBe EADGBe EAdg*/ _ |||||| |||||| |5|| _ |||||| |||||| |5|| _ ||0||| |||||| |5|| _ |||||2 |||||| |5|| _ |||||| |||||| |5|| _ ||||3| |||||| |5|| _ |||||| |||||| |5|| _ |||||2 |||||| |5|| End of the song ---------------------------------------------------